"Working with Les has really put back the fun in mixing for me. Now at the end of a hectic and exhausting schedule of writing, working through the collaboration with the filmmakers, and recording my score, I can catch my breath, knowing that he will insure I get the best mix possible." —Miriam Cutler, film score composer

"His deft touch, helpful suggestions and sensitivity to client needs make Les Brockmann a pleasure to work with. My project had very specific needs and he delivered exactly what was required: artful sonics, timeliness and a deference to the budget." —Joel Evans, composer, CEO Cinemasters

"Behind the board for me at commercial or personal studios, editing from multiple studio sources to create a seamless whole, or overdubbing at the last minute, Les has always come through with a great product. He's the consummate professional, and fun to work with." —Bevan Manson, composer

"Les Brockman is what I call the 'soup to nuts' engineer. He's as comfortable tracking live musicians and singers as he his dealing with the world of MIDI and samples. His formidable technical knowledge includes digital and analog recording, computers, software, networking and studio design." —Nelson Kole, producer, composer, pianist

"Les is a master at sculpting sonic puzzlements into clear, concise, and focused musical mixes!" —Greg Edmonson, screen composer (Firefly, King of the Hill)

"Les has the best ears in the business; I can always count on him to be as artistically astute as he is technically savvy." —Dana Kaproff, screen composer (The Big Red One)

"Les Brockmann is a total pro! He's got great ears. He is reliable & hard working, shows up on time and makes my music sing!" —John Bisharat, composer

"Les was introduced to me via Dennis Dreith, and was overjoyed to be involved with a chamber jazz recording session. This type of music is rarely heard on TV and film scores and gave him an opportunity to use his education and passion for recording great chamber musicians." —Christopher Caliendo, screen composer (A Lady of Chance)

"Les made the 20-year-old tapes sound as crisp as a new digital recording. We were all amazed at his expertise and easiness to work with. I can highly recommend him." —Robin Esterhammer, Perseverance Records

"Les is always a joy to work with. Whether we are in my 'composer's project studio,' or on a big scoring stage, Les never fails to bring a larger-than-life quality to my music. He is an integral part of my team." —Dennis Dreith, composer; President, Film Music Secondary Markets Fund